Bio
Manuele Cecconello (1969) started taking pictures when he was 13 in his father’s painting atelier.
As a solitary and intransigent researcher he comes soon into contact with auteur and avant-garde movies which are to direct him towards liberal arts, poetry, contemporary music.
He plays with the film stock, the super 8, the weird lenses, the elaborations. He has been dedicating himself to cinema and video since the end of the Eighties, discovering how a moving image is made through the realization of about a hundred of experimental films.
By the early Two Thousands he has been mixing direct cinema and expressive research, producing and directing with his company Prospettiva Nevskij various historic, lyric, anthropological documentaries, which earn him several international rewards.
He continues managing simultaneously didactic, photographic and cinematographic projects, which have been recently converted on the communication digital platforms.